The Art of Richard MacDonald
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Open a larger version of the following image in a popup: Richard MacDonald, 540 Revolution, Quarter Life, 2011
Open a larger version of the following image in a popup: Richard MacDonald, 540 Revolution, Quarter Life, 2011
Open a larger version of the following image in a popup: Richard MacDonald, 540 Revolution, Quarter Life, 2011
Open a larger version of the following image in a popup: Richard MacDonald, 540 Revolution, Quarter Life, 2011
Open a larger version of the following image in a popup: Richard MacDonald, 540 Revolution, Quarter Life, 2011
Open a larger version of the following image in a popup: Richard MacDonald, 540 Revolution, Quarter Life, 2011

Richard MacDonald

540 Revolution, Quarter Life, 2011
Bronze
22.5" x 15.5" x 8.5"
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  • 540 Revolution, Quarter Life
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After devoting more than twenty years to the perfection of the human form in bronze, Richard MacDonald focused on a series of sculptures based on his work with dancers from the Royal Ballet. The studies were designed to be the groundwork for the creation of a monumental Grand Coda. In 540 Revolution, Richard MacDonald’s choice of the extreme twist of the dancer’s torso gives the viewer a kinetic sense of the dancer’s ability to spin through the air – the outstretched leg signifies the great degree of control Sergei Polunin is exercising. Polunin embodies youth, natural ability and charisma – he has been likened to Nureyev. Sergei’s facial expression intense focus and deliberate control, lends psychological gravity to this piece about his defiance of gravity.

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Related artworks
  • Richard MacDonald, 540 Revolution, Quarter Life, Red, 2015
    Richard MacDonald
    540 Revolution, Quarter Life, Red, 2015
    Bronze with red patina
    22.5" x 15.5" x 8.5"
  • Richard MacDonald, Chroma II, 2011
    Richard MacDonald
    Chroma II, 2011
    Bronze
    16" x 5" x 8"
  • Richard MacDonald, Dancer en L'air, 2011
    Richard MacDonald
    Dancer en L'air, 2011
    Bronze
    12" x 7.25" x 9.5"
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